Transcendental Writing

V. S. Pritchett – “The Evils of Spain”

“Fernando was a man who waited for silence and his hour. Once getting possession of the conversation he never let it go, but held it in the long, soothing ecstasy of a pliable embrace. All day long he lay in bed in his room in Fuencarral with the shutters closed, recovering from the bout of the day before. He was preparing himself to appear in the evening, spruce, grey-haired and meaty under the deep black crescents of his eyebrows, his cheeks ripening like plums as the evening advanced, his blue eyes, which got blood-shot early, becoming mistier. He was a man who ripened and moistened. He talked his way through dinner into the night, his voice loosening, his eyes misting, his walk becoming slower and stealthier, acting every sentence, as if he were swaying through the exalted phase of inebriation. But it was an inebriation purely verbal; an exaltation of dramatic moments, refinements upon situations; and hour after hour passed until the dawn found him sodden in his own anecdotes, like a fruit in rum.”

I read this passage in “A Literary Feast” an anthology edited by Lilly Golden. I was struck dumb by the Pritchett’s phenomenal character sketch. I kept reading it over and over in amazement. In just single paragraph Pritchett creates a universe in Fernando. What a gift.

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